Slavenka Drakulić, born 1949, is an author whose books and essays have been translated into many languages.
In her fiction Drakulić has touched on a variety of topics, such as dealing with illness and fear of death in Holograms of fear; the destructive power of sexual desire in Marble skin; an unconventional relationship in The taste of a man; cruelty of war and rape victims in S. A Novel About the Balkans (made into a feature film As If I Am Not There, directed by Juanita Wilson); a fictionalized life of Frida Kahlo in Frida’s bed. In her last novel Accused (English translation forthcoming), Drakulić writes about not often addressed topic of child abuse by her own mother.
Drakulić has also published five non-fiction books. In How We Survived Communism; Balkan Express and Café Europa she deals with everyday life in communist and post-communist countries. Drakulic wrote the history of communism through the perspective of animals in A Guided Tour Through the Museum of Communism. She explores evil in ordinary people and choices they make in They Would Never Hurt a Fly – War Criminals On Trial In The Hague, about the people who committed crimes during the Croatian Homeland war. On the other side, in Flesh of her flesh (available in English only as an e-book) Drakulić writes about the ultimate good – people who decide to donate their own kidney to a person they have never met. Her first non-fiction book, Deadly sins of feminism (1984) is available in Croatian only.
Drakulić is a contributing editor in The Nation (US) and a freelance author whose essays have appeared in The New Republic, The New York Times Magazine and The New York Review Of Books. She contributes to Süddeutsche Zeitung (Germany), Internazionale (Italy), Dagens Nyheter (Sweden), The Guardian (UK), Eurozine and other newspapers and magazines.
Slavenka Drakulić is the recipient of the 2004 Leipzig Book-fair “Award for European Understanding.” At the Gathering of International Writers in Prague in 2010 she was proclaimed as one of the most influential European writers of our time.